While exporting, Media Composer offers two encoding profiles, H.265/HEVC Main Profile or H.265/HEVC Main 10 Profile. And if you still happen to own a Samsung NX1, a mirrorless camera that came on the scene in 2014 and recorded H.265 video only, you can finally stop using Samsung's free conversion software when cutting on Avid.Įditors can now import, play, and export HEVC directly in MC, a codec that is supported by YouTube. The standout feature is the native support for H.265/HEVC, especially with more cameras adding the codec as a recording option. This latest version makes workflows even faster. In our review of Media Composer 2020, we found out how it sped up workflows for assistant editors. The update brings several other new features including the ability to transcode alpha mattes, an AAC audio export option for MOV and MP4, an updated audio mixer, and improved interface settings. This is great news for editors looking to save time, as they no longer are required to transcode the codec before adding it to timelines. After adding ProRes RAW support in version 2020.10, Avid has updated Media Composer to include native H.265/HEVC media support with version 2020.12.
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